Kate Pesenti revels in the majestic power-play of the National Theatre’s Amadeus, the last production in their live line-up. Amadeus, National Theatre . Less, actually, would be more – but even so, he wrests sympathy for this gifted misfit in the closing stages, as he lies prone on a piano (tended by Karla Crome’s Constanze, the role once taken by Kendal), with the requiem mass engulfing the auditorium as if we are being taken right inside his mind. You can find our Community Guidelines in full here. Originally staged in 1976 and brought to acclaim by the likes of Paul Scofield and Ian McKellen, Longhurst has big shoes to fill. Are you sure you want to delete this comment? Directed by Michael Longhurst, Tim Van Someren. London; West End; 27 October 2016. The actor sensibly doesn’t try to give the part grand gothic gravitas. by Aleks Sierz Friday, 28 October 2016. Musanna Ahmed Photo: Marc Brenner. Loading... What a homecoming this is. Amadeus streamed as part of National Theatre at Home, on the National Theatre’s YouTube channel, from Thursday 16 to Thursday 23 July.. The most insightful comments on all subjects will be published daily in dedicated articles. In modern black mufti, they can easily become a chorus that comments on the action in wheezing anachronistic discords or in clambering mime. Our journalists will try to respond by joining the threads when they can to create a true meeting of independent Premium. National Theatre: Amadeus - See 1,096 traveller reviews, 242 candid photos, and great deals for London, UK, at Tripadvisor. Amadeus, Olivier, National Theatre, London, review: Adam Gillen delivers the most moving portrayal of Mozart seen since Michael Sheen played the role 20 years ago Director Michael Longhurst stages an exuberant and poignant revival of playwright Peter Shaffer’s Amadeus, who died in June last year. Read our review. National Theatre At Home bring you the final play of their free streams; Amadeus. Plus, for the first time ever, we’re releasing a treasure trove of plays from the National Theatre Archive. We rely on advertising to help fund our award-winning journalism. (l to r) Lucian Msamati and Adam Gillen in ‘Amadeus.’ (Photo: Marc Brenner) Before winning eight Academy Awards for the 1984 film adaptation, Amadeus soared on the stage.Peter Shaffer’s play premiered at the National Theatre in 1979, then went on to Broadway, winning five Tony Awards, including Best Play. Amadeus – National Theatre at Home Reviewer: Helen Tope. Amadeus, National Theatre | reviews, news & interviews. Well, we went in humming Falco’s “Rock Me Amadeus” and we were still humming it on the way out. The existing Open Comments threads will continue to exist for those who do not subscribe to Independent Premium. For more information on National Theatre at Home, click here. Review: Amadeus, The National Theatre. Watch National Theatre Live recordings, filmed in high definition for cinema to capture all the twists and turns, laughter and heartbreak. Matt Trueman; Locations. In taking on the mantle of the “patron saint of mediocrities”, he follows in the footsteps of the hallowed Paul Scofield, who originated the role – as well as Ian McKellen, David Suchet and F Murray Abraham in the film version, among others. Review: Amadeus, National Theatre ***** Sir Peter Shaffer's award-winning play based on the rivalry between Mozart and Salieri is enjoying a revival Wonderfully made with amazing music and one of my favourite best actor performances (F Murray Abraham) ever. Stream review of Amadeus (Peter Shaffer) from National Theatre at National Theatre Live - reviewer: David Chadderton British Theatre Guide News, reviews, features and podcast on theatre … Rating: 4 out of 5 stars. Read our full mailing list consent terms here. National Theatre: Amadeus!! Back in 1979, rehearsing Peter Shaffer’s Amadeus for its premiere run at the National Theatre, Felicity Kendal just knew that it “was going to be a classic… we could smell it. I feel sure he’d have approved. The return of Amadeus to the National Theatre has struck the right note with critics. At a time when you aren’t able to visit National Theatre Live venues or local theatres, we’re excited to bring you National Theatre at Home. The production assembles and reassembles itself – a virtuosic whirl of bits of scenery (design by Chloe Lanford), fantastic singers, excerpts from the operas that, in their aesthetic, become wittily and pointedly ahead of their time. He challenges God to strike him down for destroying genius. Author. Nimax plans Covid testing hub for its West End theatres, Even my icy heart melted at the sight of this charming Snow Queen, ‘The cancellations get blamed on us’: how theatre’s frontline workers are coping with the pandemic. Amadeus is available to view on the National Theatre’s YouTube channel from 16 th July until 23 rd July 2020. - See 1,096 traveller reviews, 242 candid photos, and great deals for London, UK, at Tripadvisor. Longhurst has let the air of today into Amadeus in bravura fashion. 1984's 'Amadeus', an adaptation of Peter Schaffer's play (a great one and the historical inaccuracies never bothered me), is one of my all-time favourite films (top 10 actually). NT At Home – from War Horse to I Want My Hat Back, could this be the lockdown 3 cavalry. More info. Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives determined to make a splash. Salieri's quarrel is not with Mozart but with God for speaking through a potty-mouthed upstart rather than through a diligent virtuous plodder like himself. Read our review. He plays the part with dead-pan straightforwardness and sly bitter joviality. Giving the musicians such a live central presence allows the production to present that impact as like a physical and metaphysical assault. Our critics rating: Average press rating: Date: Friday, 28 October, 2016. Review by: Dom O'Hanlon. Jul. Musically, the National Theatre’s 2016 production of Peter Shaffer’s 1979 play -- a recording of which is being streamed online through July 23 -- arguably shares something of the same fate as Mozart’s supposed rival Salieri. The anti-hero's conscious awareness of posterity is built on here in ways that brilliantly amplify our sense of what he went through and of the emptiness of his temporally parochial pyrrhic victory. Share. Four months after his death, Peter Shaffer's operatic epic returns to the stage on which it started - and in some style too. Back for 2018: Amadeus, National Theatre ★★★★★ 02 Jan 18 – 24 Apr 18 , 7:30 PM – 10:20 PM Michael Longhurst's spirited, sell-out 2016 revival of Amadeus is still superlative The superb Lucian Msamati has multiplied the moments of dry, deadpan, deflationary humour in the confidential outpourings of a protagonist who knows that he's the butt of one of the deity's crueller and more tasteless jokes – given unique responsiveness to Mozart's genius, irredeemably second rate, and mocked further by still ever-rising worldly success. Review: Amadeus. Marc Brenner. Olivia Lunn January 21, 2018 Reviews Theatre 312 views. It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more. The revival of Peter Shaffer’s play stars Lucian Msamati as Salieri and Adam Gillen as Mozart, with live orchestral accompaniment by Southbank Sinfonia, Find your bookmarks in your Independent Premium section, under my profile. It’s an Iago-like part – of stealthy duplicity and false bonhomie - and one that Msamati is supremely well able to take on. Back in 1979, rehearsing Peter Shaffer’s Amadeus for its premiere run at the National Theatre, Felicity Kendal just knew that it “was going to be a classic… we could smell it.” And so Shaffer’s accomplished and daring fictionalised account of the (mutually fatal, he suggested) relationship between Wolfgang Amadeus Mozart and fellow composer (the Austrian imperial Kapellmeister) Antonio Salieri proved – leaping to the West End, then to Broadway, and then onto the big screen, to Oscar-winning effect. - See 1,096 traveler reviews, 242 candid photos, and great deals for London, UK, at Tripadvisor. Amadeus review – stunning production pits Salieri against God, Mozart and his own orchestra. Gillen, with a shock of bright (bleached?) Michael Higgs Photos: Marc Brenner. blonde hair, and a baby-voice that would make the most tolerant type want to throttle him, pushes Mozart’s insouciance so far that he’s often loping about the place with a Quasimodo-like gait. Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. 2 minutes read. Msamati's wonderfully sardonic rapport with the audience signals the mismatch between the Luciferian dimensions of the project and the petty mean-spirited nature of the execution as he reduces his rival to penury through fatal career advice and blocked appoints. National Theatre: Amadeus!! You can also choose to be emailed when someone replies to your comment. Amadeus is at the National Theatre from 18 th January until 24 th April 2018. Amadeus review – a lush, high-voltage revival Olivier, London Adam Gillen’s Mozart and Lucian Msamati’s Salieri share the honours as Peter Shaffer’s 1979 hit returns to the National The Reviews Hub - London 17/07/2020. Review – Amadeus, National Theatre Wednesday 9 November 2016 . Adam Gillen and Lucian Msamati in Amadeus at the National Theatre. July 16 ‘Amadeus’ by Peter Shaffer, starring Lucian Msamati. Review of Amadeus at the National Theatre. For more info, session times and tickets visit the Arts Centre website here: http://bit.ly/2kgoZ0TMusic. Watch Amadeus below or at National Theatre. Independent Premium Comments can be posted by members of our membership scheme, Independent Premium. The play dramatises the consequences of the momentous impact that hearing Mozart’s sublime music made on the “patron saint of mediocrity”. Laughing like a hyena on speed and lunging round in his gold knickerbockers with all the decorous restraint of Rik Mayall from The Young Ones during a bad bout of Tourette’s, he gives you sudden glimpses of sensitivity and is on a wonderfully paced continuum with the desperate man-child whose battles to continue exercising his gift are almost too painful to watch in the final sequences. Salieri invokes us as “Ghosts of the future” to hear a saga wherein he foresees the warped immortality he will achieve as the nemesis of a genius. Want an ad-free experience?Subscribe to Independent Premium. National Theatre: Amadeus - See 1,096 traveler reviews, 242 candid photos, and great deals for London, UK, at Tripadvisor. The latest offers and discount codes from popular brands on Telegraph Voucher Codes, Adam Gillen and  Lucian Msamati as Mozart and Salieri, A scene from the National's production of Amadeus, As the cancellations mount, so do the fears about theatre's likely return, Prince songs and pole-dances: the London International Mime Festival is (quietly) back, Public Domain, Southwark Playhouse, review: like social media, it demands attention but leaves you feeling empty, Las Vegas’s wildest love story: the magical, tragic lives of Siegfried & Roy, The Inquest is a murderously enjoyable chance to put the world to rights. The Break A Leggers review Amadeus by Peter Shaffer at the Olivier space National Theatre London. For further information or to book visit the theatre… We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. Amadeus, National Theatre Revival of Peter Shaffer’s most famous play is a musical triumph . Are you sure you want to mark this comment as inappropriate? Photo: Marc Brenner A scene from Amadeus, centre Lucian Msamati as Antonio Salieri with members of the Southbank Sinfonia. The role of arch-villain Salieri, a man forced to confront his own mediocrity by the arrival on the Viennese scene of the prodigious young Mozart, has been entrusted to Lucian Msamati. Once you have watched Amadeus, you can understand why it was chosen for the National Theatre’s last screening. Adam Gillen as Mozart in Amadeus at the National Theatre, {{#verifyErrors}} {{message}} {{/verifyErrors}} {{^verifyErrors}} {{message}} {{/verifyErrors}}, Amadeus review: A thrillingly fresh and imaginative revival, You may not agree with our views, or other users’, but please respond to them respectfully, Swearing, personal abuse, racism, sexism, homophobia and other discriminatory or inciteful language is not acceptable, Do not impersonate other users or reveal private information about third parties, We reserve the right to delete inappropriate posts and ban offending users without notification. Historically, "Amadeus" is baloney. Writer: Peter Shaffer. Vienna: the music capital of the world. Want to bookmark your favourite articles and stories to read or reference later? More than that, the ensemble of musicians form an integral part of the action, stalking Chloe Lamford’s stripped-back, abstract stage-area (which flies in painted scene-cloths and utilises a bare-bones proscenium-arch stage as the occasion demands). From 22 January 2018 - 24 April 2018, buy Amadeus tickets. BWW Review: AMADEUS, National Theatre At Home by Aliya Al-Hassan. It is a pleasure to report that the 14th Travelex season at the National has got off to such a triumphant start. Please continue to respect all commenters and create constructive debates. Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world - and he's determined to make a splash. Visit National Theatre at Home. Tinkling the ivories: Adam Gillen in ‘Amadeus’. What a terrible pity that the author, who died in June at the age of 90, did not survive to see Michael Longhurst’s thrillingly fresh and imaginative revival of the piece. 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